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   The weather was sunny, so I decided to see how true to color rendition of 669 could be, given these favorable conditions. Autumn was coming, so I didn't know how many days of clear outdoor weather I would have.

A trick I learned to get improved colors with 669 was to leave the prints face-up in the sun immediately after development. This seems to improve the intensity and balance of the colors. I bet 690 doesn't behave the same way.

 
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Album generated by BINS 1.1.29 on Thu Jan 25 22:38:42 2007.